After graduating from LUCA School of Arts in 2012, she began her career in art direction, collaborating with creative agencies and cultural institutions across Europe. Over time, film became the space where her creative instincts could fully unfold—visceral, layered, and deeply her own.

Katherine’s connection to the moving image is intuitive and tactile. Drawn to immersive audiovisual work, she approaches storytelling as a form of architecture. Her work is driven by an interest in human behaviour, perception, and the narratives each of us constructs from fragments of what we see.

After graduating from LUCA School of Arts in 2012, she began her career in art direction, collaborating with creative agencies and cultural institutions across Europe. Over time, film became the space where her creative instincts could fully unfold—visceral, layered, and deeply her own.

Katherine’s connection to the moving image is intuitive and tactile. Drawn to immersive audiovisual work, she approaches storytelling as a form of architecture. Her work is driven by an interest in human behaviour, perception, and the narratives each of us constructs from fragments of what we see.

After graduating from LUCA School of Arts in 2012, she began her career in art direction, collaborating with creative agencies and cultural institutions across Europe. Over time, film became the space where her creative instincts could fully unfold—visceral, layered, and deeply her own.

Katherine’s connection to the moving image is intuitive and tactile. Drawn to immersive audiovisual work, she approaches storytelling as a form of architecture. Her work is driven by an interest in human behaviour, perception, and the narratives each of us constructs from fragments of what we see.

After graduating from LUCA School of Arts in 2012, she began her career in art direction, collaborating with creative agencies and cultural institutions across Europe. Over time, film became the space where her creative instincts could fully unfold—visceral, layered, and deeply her own.

Katherine’s connection to the moving image is intuitive and tactile. Drawn to immersive audiovisual work, she approaches storytelling as a form of architecture. Her work is driven by an interest in human behaviour, perception, and the narratives each of us constructs from fragments of what we see.

After graduating from LUCA School of Arts in 2012, she began her career in art direction, collaborating with creative agencies and cultural institutions across Europe. Over time, film became the space where her creative instincts could fully unfold—visceral, layered, and deeply her own.

Katherine’s connection to the moving image is intuitive and tactile. Drawn to immersive audiovisual work, she approaches storytelling as a form of architecture. Her work is driven by an interest in human behaviour, perception, and the narratives each of us constructs from fragments of what we see.